On nights when rain smudged the city into watercolor, Octavia would slip the case out and lift its clasp like opening a small, private theater. Inside, the foam cradle held compartments for items that didn’t quite match: a silver key with no teeth, a translucent disk etched with faint coordinates, a photograph folded twice—its edges softened, its image a place she hadn’t yet been. The scent inside was a mixture of old paper and something metallic, not unpleasant but older than her own memories.